September Events You Don’t Want to Miss!

I looked at the calendar today and realised that September follows August… I don’t know that happened, but apparently, that means September is next month!  And that’s great because there’s a lot of super fun stuff happening in September…

PLY Party in Baltimore

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First, we’re going to the PLY Party at Lovelyarns in Baltimore on Sept 11th.  Lovelyarns is a cool little LYS in Hampden that began carrying SpaceCadet Creations yarns over the summer and we’re delighted that they invited us to be part of the Peace Love Yarn (PLY) party, their yearly gathering of indie hand-dyers and spinners.  And they just posted a really cool little SpaceCadet bio on the PLY website.
If you’re in the Baltimore area, please do come out and join us! We’d love to meet you.

Ply Party
Sunday, September 11, 2011
12:00 – 6:00 PM
Lovelyarns 846 W. 36th Street  Baltimore, MD 21211
(click here for a map)

It’s going to be so much fun!

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InterStellar Yarn Alliance Subscriptions Opening

yarn club, yarn, knitting, handdyed, indie dyer

And the other thing that September means is… subscriptions open for the InterStellar Yarn Alliance!  If you’ve watching all the fun stuff that Alliance members have been receiving in their parcels and want the chance to join in, keep your eyes open.  More details will be coming soon, but be sure you are signed up for the SpaceCadet newsletter to be the first to hear when subscriptions go live!

subscribe by email, yarn, knitting, crochet, indie dyer, hand-dyed

A Surprisingly Difficult Question

There’s been a fascinating conversation going on over on Twitter.  It started with a question that the ladies at Lorna’s Laces had been discussing, and it seemed simple enough.  In fact, when I heard it, I thought instinctively that I knew the answer…   Of course I knew the answer!  It’s an easy question!

…Until I really began to think about it, and then I realised, I had no idea what the answer is.  And it’s not easy — not at all.  The question is:

What is the difference between an indie business and a corporate business?

Particularly when it comes to the crafting/creative industries, where is the line that separates the two?

Now, you’re probably doing exactly what I did, and thinking, “I know an indie business from a corporate business!  It’s obvious!”  And, maybe it is, but… I’ll tell you what, it’s a bloody hard thing to define when you actually try to do it.

When most people think of a corporation, they instinctively think of large office buildings or big factories but, in truth, almost any kind of business — even tiny ones — can be incorporated.  All it really signifies is the way the business is structured for financial and legal purposes.  A corporation might as likely be run out of someone’s spare bedroom as out of some glass-and-steel skyscraper.

So, I started out thinking that maybe it was the terms that were confusing, and I tweeted that maybe the difference was really between ‘professional’ and ‘amateur’…  or was it ‘professional’ and ‘hobbiest’?

But that wasn’t right because, really, the nature of an indie business is that it’s… a business.  And anyone seriously running a business, even a small one, is going to be beyond amateur, beyond hobby.

M.K. Carroll and Cathy (@glamsmitten) tweeted back with “Indie vs Industry?” and Ruth at RockandPurl suggested, “Mass-market vs Personal Touch”.   And then M.K. asked, “At what point is something ‘mass-market’?” at the same time that I tweeted, “Is the keyword, ‘handmade’? Can something be both mass-market and handmade?”

I really thought I’d hit the nail on the head.  I was feeling pretty pleased with myself, actually.  Yep, the key was ‘handmade’!

And then M.K. replied, “Mass-market crochet items are ALL handmade. There is no machine-made crochet.”  Damn! She was right!  And further, “Couture uses a lot of handwork (e.g. ‘petits mains’) – it’s not mass-market.”  And there was a picture of a Chanel dress being carefully stitched by hand.

Chanel is definitely corporate, at least in my mind.  At one point someone asked if was about the ownership of a company…  the difference between private companies and publicly traded ones?  But then someone said that Lion Brand is a family-owned company.  And I thought about a company I used to work for back in my “corporate” days — a huge, multinational company with tens of thousands of employees… which was entirely family-owned.

Huh! This was turning out to be a much, much more difficult question than I had first thought!  And though the Twitter conversation continued on for some time, not one of us was able to come to a satisfactory answer.  Was it the size of the company?  Does having employees mean you’re not indie anymore? Or is it the amount of money a company makes?  Or is it the intent of the company?  What is ‘intent’ anyway, when almost all companies — large or small — are in business primarily to make money?

So, even though it feels like it would be an instinctively easy question to answer, it isn’t.  How do we define the difference between corporate and indie?  It’s much more thorny than it appears.

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That Twitter conversation was yesterday and, all day today, the question has simmered gently in the back of my mind.  While I was in the studio dyeing, I pondered it, and it percolated while I packed up orders to go out.  And at some point today, an answer bubbled up that started to feel a bit right.  I’ve turned it over and over in my mind and, so far, it still feels right…

Is the difference between ‘indie’ and ‘corporate’ the extent to which the owner is involved in the making?

I’m thinking that a company stays indie so long as the owner or founder is regularly in the studio creating — even if it’s only for part of the time.  When the owner moves out of the studio completely, and leaves the making entirely to employees…  maybe that’s when a company crosses the line from ‘indie’ to ‘corporate’…?  Can you imagine a company of 150 people where every single person spent as much time creating as they did in the office — would that make the company feel ‘indie’ even with so many employees?  When the owner was right there in the studio with her sleeves up alongside everyone else?  Maybe a company moves over to ‘corporate’ only when it allows most of its focus (and time) on the business side of things rather than the creative side.

So far, that answer feels right to me.  But then, every answer I’ve come up with so far has felt right, and then turned out to be wide of the mark.  What do you think?  How do you define the difference between corporate and indie?  I’d love to know, because I’m amazed by how difficult it really is!

Shop Update: And Then There Was… One

This week, I dyed this.  Six gorgeous, luscious skeins of this…

knitting, yarn, sock yarn, indie dyer, hand dyed, spacecadet, space cadet

Estelle (merino, cashmere, and nylon) dyed in a colourway called Rescue …and I fell in love it with it.  Absolutely, deeply, madly in love with it.  I thought about keeping it for myself… and I was going to, I really was, but I talked myself out of it and decided to put it in the shop instead.

knitting, yarn, sock yarn, indie dyer, hand dyed, spacecadet, space cadet

But first, I emailed a picture of it to a friend.  And she emailed straight back with, “I want some!”  And five minutes later, another email, “I’ve checked my pattern — I’ll need five skeins.”

And just like that, I went from six skeins to put in the shop to only one skein.  But in that one skein…  Oh! Some of the most intense, gorgeous green I have ever dyed.

knitting, yarn, sock yarn, indie dyed, hand dyed, space cadet, spacecadet

(But if you love it as much as I do and want me to dye any more, talk to me…)

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And here’s a few other things going in the shop this week:

Lucina fingering yarn (with sparkles!) in Megan’s Blues

yarn, knitting, hand dyed, indie dyer, sock yarn, spacecadet, space cadet

Lusterous Silk/BFL fingering yarn in Megan’s Blues

yarn, knitting, hand dyed, indie dyer, sock yarn, spacecadet, space cadet

And, to warm things up a bit…

Estelle (merino/cashmere/nylon) in Engine No9

yarn, knitting, hand dyed, indie dyer, sock yarn, spacecadet, space cadet

Some Surprise News from Sock Summit

Did you get to go to Sock Summit?  Because I didn’t and I was just soooooo jealous of everyone who did.  All weekend long (all weekend? no, for four days), it seemed like everyone I follow on Twitter was at Sock Summit… and having the time of their fibery lives…  and tweeting mercilessly about it.  Mercilessly, I tell you!  Oh, how I wanted to be there.

…And then, I found out, I kinda was.

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At The Summit, by © TAAT Designs, Used with Permission

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Well, not me, but my colours.  And not just there, but actually there as part of the winning submission in the Design for Glory competition!  Ok, a tiny part, but a part…  About a week before Sock Summit, my friend Abigail emailed with the news that she and her knitting partners at TAAT Designs had submitted the winning entry, a sock called At The Summit.  The design requirement was for a sock that could be knit modularly — in pieces and then assembled at the last minute — by a team in the Fleece to Foot Challenge.

knitting, socks, sock summit, TAAT designs, indie dyer, hand-dyed, hand spun, Design for Glory
At The Summit, by © TAAT Designs, Used with Permission

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And, for their entry, TAAT Designs chose yarn hand-spun from SpaceCadet Creations fiber!  When Abigail gave me the news, I sqeeeeeeeeeed so loudly, I think I scared the neighbours!  I remember when she bought that fiber and…  well, just to think that braid of wool had risen to such heights in the sock stratophere, it kinda blew my mind!

And while At The Summit is a beautiful design and the good ladies at TAAT  — Tesia Walker, Allison Janocha, Abigail Horsfall and Trisha Paetsch — are clearly a very talented bunch of knitters…  I have to admit, I like to think it was the gently undulating shades of SeaFoam that really made the difference in the end.

spinning, fiber, knitting, TAAT Designs, sock summit, hand-dyed, indie-dyer
The Braid of BFL Fiber in SeaFoam

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The pattern for At The Summit is now available on Ravelry, or you can buy it directly by clicking here.  TAAT Designs is donating proceeds the Crohn’s and Colitis Foundation of America, in honour of Tesia’s husband Ryan.

Congratulations to Abigail, Tesia, Trisha, and Allison on their beautiful design.  Thanks for choosing SpaceCadet colours!  And congratulations also to Meridith Todd, who spun such a fantastic yarn.

And congratulations to that braid of SeaFoam fiber.  Every single time I pack up an order and send it out, I wonder what that yarn or fiber will become.  Never did I think anything I’ve dyed would become something so… Glory-ous!

knitting, spinning, hand-spun, TAAT designs, sock summit, hand-dyed, indie-dyer
The Braid of SeaFoam

Origami Stitchmarker Winner!

We had a great response to the Origami Stitchmarker Giveaway!  And no wonder — The Sexy Knitter‘s little vial of paper stars are just adorable.  And it was just so cool of her to give us one to give away.

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And thanks to all of you for entering!  You guys are what makes these giveaways fun.

The Winner

And now, without further ado, the winner is….

Annethologist

Congratulations!  Please email me at spacecadetcreations (at) gmail (dot) com, with your full postal address, and I’ll have those stitchmarkers winging their way to you lickety split!

Designer Profile: Sharon Silverman

One of the things I enjoy most about my job is working with other fiber artists.  It is somehow so satisfying to collaborate with people whose work you really admire and who…  well, who really understand why I’m so crazy about all things fiber (Because, y’know… they’re crazy that way too!).   And I’m lucky enough to have quite a few of those collaborations going on at the moment.  SpaceCadet yarns have been chosen recently for four designs in two upcoming books, as well as for designs by a couple of independent designers, and was used in an award-winning sock (more about that soon).  Exciting times!

When Sharon Silverman asked me if she could use my yarns for not just one but two designs for her upcoming book,  I practically ran to dyepots to mix up the dyes for two new colourways just for her.  She is a crochet designer, teacher, and the author of four books: Basic Crocheting: All the Skills and Tools You Need to Get Started, Beyond Basic Crocheting, Tunisian Crochet: The Look of Knitting with the Ease of Crocheting, and Crochet Pillows with Tunisian & Traditional Techniques.  And the creator of the Moonmist Shawl, which Sharon designed with my Luna Laceweight in Evening Fog.

Moonmist Shawl by Sharon Silverman, crochet, space cadet, spacecadet, yarn
© Sharon Silverman, Used with Permission

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As a really accomplished and inspiring fiber artist, I wanted to find out more about her and her work as a designer…

At what point, in your own mind, did you switch from being a crocheter  to a crochet designer?  What defined that change for you?

For my first crochet title, Basic Crocheting, I was not confident enough to design all of the patterns myself. I purchased a few from established designers. The sweater pattern was disappointing: it was all single crochet, which made it very stiff and impossible to pull over your head, and it was definitely not “basic” like I had requested. I took a deep breath and told myself it was time to design a sweater. I picked a chevron pattern and did it! Because it was the first time I had worked with multiple sizes, I actually made one sweater in each size to make sure the instructions would work! That sweater was the first time I really felt like a designer.

Do the design ideas flow easily for you, or do you ever find yourself stuck? When you are stuck, what do you do to find inspiration again?

With the wonderful yarns available today in every material and colourway, and with the addition of Tunisian crochet to my stitch bag of tricks, I rarely feel stuck for a design. I keep a binder of “Design Ideas.” Anything that catches my fancy goes in there, from architectural elements to interesting color combinations to nature photos. Often I’ll browse through that with some yarn and stitch dictionaries in front of me. Swatching is a great way to get inspired.

Moonmist Shawl by Sharon Silverman, crochet, space cadet, spacecadet, yarn
© Sharon Silverman, Used with Permission

What was the inspiration for the Moonmist shawl?

I love lightweight shawls, and the Luna laceweight yarn seemed perfect for an openwork pattern. I like the addition of some post stitches for added texture. To make the shawl symmetrical, I started in the middle of the back and worked left and right.

As your own crochet skills grow, do you find it harder or easier to design simple projects for new crocheters?

I think one thing that crocheters appreciate is the clarity and kindness with which I write patterns, whether for beginners or experienced crafters. I always try to give an overview, kind of like a road map: here’s where we’re starting, this is the route we will take, and here’s where we will end up. Otherwise it’s like driving blind. I have been crocheting for more than 40 years, and I still come up against poorly written patterns that I cannot figure out. It’s frustrating, and there’s no reason for it except laziness and arrogance on the part of the designer, editor, and publisher.
Along with clear instructions, technique photos are crucial. I want crocheters to feel like I am looking over their shoulder ready to answer any questions they have. “Does the hook go here or here?” “Do I skip this shell or work into it?”  Photos can help them understand what the pattern requires.
I always enjoy creating simple yet interesting patterns for new crocheters.

For anyone wanting to try crochet for the first time, what resources would you recommend?  Where should they start?

For anyone just starting out, there is no substitute for sitting down for an hour or two with a friend or instructor. That way you can make sure you are holding the yarn properly, making your stitches right, counting correctly, etc. Crocheters are often surprised to realize how important the non-hook hand is in managing the flow of yarn from the ball to the project. Your local yarn shop or a crochet conference may be your entree into the wonderful world of crocheting.
Ravelry is a wonderful resource, an online community for yarn folks without the intrusiveness of Facebook! YouTube also has many good videos. There are some great designers out there. Read what other people have said about their designs–and how good their instructions are–and choose a book or pattern from your favorite.
I am a huge fan of Tunisian crochet. For anyone interested in giving that a try, I recommend my books (Tunisian Crochet: The Look of Knitting with the Ease of Crocheting and Crochet Pillows with Tunisian & Traditional Techniques). Both of those come with detailed instructions and photos to explain the basic stitches. My first book, Basic Crocheting, also has a lot of visuals and illustrations.

If you had the opportunity to tell the world the one thing they
really ought to know about crochet, what would it be?

Crochet does not have to be frumpy and boxy! Choose the right combination of yarn, hook, and designer, and you can create garments that are beautifully shaped, drape like a dream, and are high-fashion enough to grace any runway.

© Sharon Silverman, Used with Permission

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Now, I’m not allowed to tell you anything about Sharon’s upcoming book — it’s all top secret.  But I will tell you that it’s coming out for Autumn 2012 and it’s got some gorgeous designs in it… and two new beautiful new colourways from SpaceCadet Creations.  But in the meantime, do go check out her website, www.SharonSilverman.com, and especially her pattern page on Ravelry, where you can find the pattern for the Moonmist shawl, for the lovely Sonata shawl (above) — the first of Sharon’s designs that really caught my eye — and tons more.  She’s on Ravelry as CrochetSharon and on Facebook as Sharon Silverman Contemporary Crochet.