A First Day, Knitting

I remember the moment I decided I wanted to learn how to knit.  I remember the very moment — and I have no explanation whatsoever.  It was the weirdest thing.  It was Thanksgiving morning, I was 19 and home for the weekend from university, and when I woke up — even before I sat up in bed — the first thought that entered my mind was, “I want to learn to knit.”  I have no idea why — this was long before knitting hit its recent popularity and long before the internet existed.  I knew no one who knit, I had no knitting influence whatsoever…  and yet, when I woke up that morning, I just knew in my bones that I wanted to knit.

I padded down to the kitchen in my bare feet and PJs.  The Macy’s parade was on television in the other room, and my mother already had the turkey in the oven and seemed to have fifteen other dishes on the go at once.  If I’d have had any sense, I’d have got stuck in helping her, but I can remember standing there, at the corner of the kitchen island, next to a bowl of stuffing and an uncooked pumpkin pie and announcing as if it were the most important thing in the world, “I want to learn to knit.

My mother probably wanted to throw a wooden spoon at my head and demand to know why I wasn’t helping her, but she didn’t.  She first promised she would teach me — later.  And then she ordered me to help with dinner.  Quite right too.

After Thanksgiving dinner, my mother and I sat down with some mismatched metal needles she’d found in cupboard and some cheap acrylic yarn.  I can remember my excitement even now.  But it had been years since my mum had knit and it turned out that she could hardly remember how…  She couldn’t work out how to cast on and then, when she did, she realised she could knit but couldn’t remember how to purl!  And she had no recollection of binding off at all.  But, none of that mattered to me: I had stitches on the needles and, as I discovered that lovely rhythm of making knit stitch after knit stitch, something magical began to happen…  That special magical thing that knitting does, that all knitters know.  And so that day — my first glorious day of knitting — I worked acrylic yarn into endless rows of garter stitch, and I was happy.  Deeply, meditatively, knitterly happy.

I think the moment that any knitter or crocheter first picks up needles or hooks and learns how to turn yarn into fabric is something special.  No one ever realises it at the time — they’re just “trying it out” — but they have started on a journey…  One that goes from cheap yarn and simple scarves and eventually moves onto more challenging projects, more beautiful yarn, sometimes works of art and, most importantly, that need to create — at least a little — every single day.  It’s a wonderful thing  …and no one ever realises on that first day.

When was your first day?

Scenes from a Fiber Life: the Art and Science of Hand-Dyeing

Years ago, when I was a corporate buyer, I remember my boss explaining that buying was both an art and a science.  I didn’t really understand what he meant at the time — surely it was just a matter of knowing how much should be in stock and plugging in the numbers, wasn’t it?  It was simple.  What was he on about “art”?

I didn’t really get it until I’d been in the job for some time, and I found myself explaining some of the basics to our intern.  She was plugging in the numbers — just plugging in the numbers — and coming to conclusions that I knew would spend our money in all the wrong places.   And as I explained that there was more to it than just the number, that was the moment that I realised what my boss meant by “art”.  Over time, I’d been quietly and unconsciously learning to follow to my instincts as well as the numbers, learning to apply both art and science.  And when I watched that intern making those simple, novice mistakes, I began to understand the value of staying tuned into both.

Today I tried to duplicate Westerly, the beautifully shaded colourway from the Tradewinds quartet that I showed you last week.  And there I was, duplicating the recipe exactly when…  I just suddenly didn’t trust it.  My instinct told me the colours weren’t right.  My instinct told me to add a bit of this, mix in a little more of that…

My instict wasn’t right.  This is what came out of the dyepot…

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It’s beautiful for sure, but it’s not Westerly.  And though I think I’m going to love it when it’s dried and reskeined…  there’s no denying that it’s not Westerly.

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Which just serves to remind me that, even though dyeing is undoubtedly an art as much as a science, and even though a dyer’s colour sense is borne of instinct, it’s important to remember and never to forget the first rule of the second dyelot: even when you want to follow your instinct…

FOLLOW THE RECIPE!

Scenes from a Fiber Life: Laceweight NeverEnding

With great beauty comes… great danger? Great sacrifice?  We all know that laceweight yarns are beautiful — there’s something inherent in its delicacy, and the luxury of its fibers, and the way it soaks up colour.  Laceweight is beautiful.

And dangerous, as I recently found out.  But sacrifice?  The beauty of laceweight requires sacrifice?  Not for you, dear readers, but it does for me.  Let’s talk about my arms.

My arms are going to fall off.  They ache, they’re sore.  And as much as my eyes love laceweight, my arms hate it.  At 1300 wonderful, delicate, luxurious yards per 100g, it takes a loooooong time to reskein.  I have to sit and turn that skein winder round and round and round and round…

When the dyed skein goes on the swift, it really doesn’t look much different from any other skein.  My arms are blissfully ignorant of what’s about to happen.

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But after a few minutes of winding, when my arm is expecting the job to be half done, I look and find there’s only wee bit of yarn on the skein winder…

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And so I keep winding.  Round and round and round and round…

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And after what seems like forever, I look up and…

.the swift looks as full as it ever was!  HOW can that be?!?

My arms are not happy with me.  My arms are burning and fed up and ready to quit.  It takes some convincing to get them to keep going.

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But after a long, long time, the skein winder starts to look lovely and full like this…

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And the swift finally starts to look a bit emptier…!

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And then just as my arms get to the point where they are ready to fall right off, we reach the end.

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And then it’s done.  And it’s gorgeous.  And I hold the finished skein in my hand and look at how all the colours blend together gently and I am in love!  Laceweight is worth it, I tell myself.

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Until I lay that skein aside, and pick up the next one and start to arrange it on the swift and my arms realise what’s happening… and they don’t like it.  They don’t like it one bit.

Scenes from a Fiber Life: Skeining Off

Sometimes when the undyed yarns arrive, they are already in skeins and sometimes they are on cones.  When it’s the latter, they have to be “skeined off” before they can be dyed.

Each skein is wound off individually onto an antique skein winder, and weighed as it goes along.  Then it’s twisted up into that familiar shape, dropped into the basket, and the next skein begins.

The skein winder goes incredibly fast for being such an old girl, and creates a nice breeze, but there’s no doubting that skeining off is hard work, and tiring if there is a lot of yarn to be wound.  But it certainly is lovely to look at.

But then, when isn’t fiber-stuff lovely to look at?

This post is in honour of the fact that a huge delivery of undyed yarn arrived on my doorstep today, beautiful and smooshy and ripe with colour possibilities.  Look for it to start appearing in the SpaceCadet Creations shop very soon!