A Surprisingly Difficult Question

There’s been a fascinating conversation going on over on Twitter.  It started with a question that the ladies at Lorna’s Laces had been discussing, and it seemed simple enough.  In fact, when I heard it, I thought instinctively that I knew the answer…   Of course I knew the answer!  It’s an easy question!

…Until I really began to think about it, and then I realised, I had no idea what the answer is.  And it’s not easy — not at all.  The question is:

What is the difference between an indie business and a corporate business?

Particularly when it comes to the crafting/creative industries, where is the line that separates the two?

Now, you’re probably doing exactly what I did, and thinking, “I know an indie business from a corporate business!  It’s obvious!”  And, maybe it is, but… I’ll tell you what, it’s a bloody hard thing to define when you actually try to do it.

When most people think of a corporation, they instinctively think of large office buildings or big factories but, in truth, almost any kind of business — even tiny ones — can be incorporated.  All it really signifies is the way the business is structured for financial and legal purposes.  A corporation might as likely be run out of someone’s spare bedroom as out of some glass-and-steel skyscraper.

So, I started out thinking that maybe it was the terms that were confusing, and I tweeted that maybe the difference was really between ‘professional’ and ‘amateur’…  or was it ‘professional’ and ‘hobbiest’?

But that wasn’t right because, really, the nature of an indie business is that it’s… a business.  And anyone seriously running a business, even a small one, is going to be beyond amateur, beyond hobby.

M.K. Carroll and Cathy (@glamsmitten) tweeted back with “Indie vs Industry?” and Ruth at RockandPurl suggested, “Mass-market vs Personal Touch”.   And then M.K. asked, “At what point is something ‘mass-market’?” at the same time that I tweeted, “Is the keyword, ‘handmade’? Can something be both mass-market and handmade?”

I really thought I’d hit the nail on the head.  I was feeling pretty pleased with myself, actually.  Yep, the key was ‘handmade’!

And then M.K. replied, “Mass-market crochet items are ALL handmade. There is no machine-made crochet.”  Damn! She was right!  And further, “Couture uses a lot of handwork (e.g. ‘petits mains’) – it’s not mass-market.”  And there was a picture of a Chanel dress being carefully stitched by hand.

Chanel is definitely corporate, at least in my mind.  At one point someone asked if was about the ownership of a company…  the difference between private companies and publicly traded ones?  But then someone said that Lion Brand is a family-owned company.  And I thought about a company I used to work for back in my “corporate” days — a huge, multinational company with tens of thousands of employees… which was entirely family-owned.

Huh! This was turning out to be a much, much more difficult question than I had first thought!  And though the Twitter conversation continued on for some time, not one of us was able to come to a satisfactory answer.  Was it the size of the company?  Does having employees mean you’re not indie anymore? Or is it the amount of money a company makes?  Or is it the intent of the company?  What is ‘intent’ anyway, when almost all companies — large or small — are in business primarily to make money?

So, even though it feels like it would be an instinctively easy question to answer, it isn’t.  How do we define the difference between corporate and indie?  It’s much more thorny than it appears.

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That Twitter conversation was yesterday and, all day today, the question has simmered gently in the back of my mind.  While I was in the studio dyeing, I pondered it, and it percolated while I packed up orders to go out.  And at some point today, an answer bubbled up that started to feel a bit right.  I’ve turned it over and over in my mind and, so far, it still feels right…

Is the difference between ‘indie’ and ‘corporate’ the extent to which the owner is involved in the making?

I’m thinking that a company stays indie so long as the owner or founder is regularly in the studio creating — even if it’s only for part of the time.  When the owner moves out of the studio completely, and leaves the making entirely to employees…  maybe that’s when a company crosses the line from ‘indie’ to ‘corporate’…?  Can you imagine a company of 150 people where every single person spent as much time creating as they did in the office — would that make the company feel ‘indie’ even with so many employees?  When the owner was right there in the studio with her sleeves up alongside everyone else?  Maybe a company moves over to ‘corporate’ only when it allows most of its focus (and time) on the business side of things rather than the creative side.

So far, that answer feels right to me.  But then, every answer I’ve come up with so far has felt right, and then turned out to be wide of the mark.  What do you think?  How do you define the difference between corporate and indie?  I’d love to know, because I’m amazed by how difficult it really is!

Shop Update: And Then There Was… One

This week, I dyed this.  Six gorgeous, luscious skeins of this…

knitting, yarn, sock yarn, indie dyer, hand dyed, spacecadet, space cadet

Estelle (merino, cashmere, and nylon) dyed in a colourway called Rescue …and I fell in love it with it.  Absolutely, deeply, madly in love with it.  I thought about keeping it for myself… and I was going to, I really was, but I talked myself out of it and decided to put it in the shop instead.

knitting, yarn, sock yarn, indie dyer, hand dyed, spacecadet, space cadet

But first, I emailed a picture of it to a friend.  And she emailed straight back with, “I want some!”  And five minutes later, another email, “I’ve checked my pattern — I’ll need five skeins.”

And just like that, I went from six skeins to put in the shop to only one skein.  But in that one skein…  Oh! Some of the most intense, gorgeous green I have ever dyed.

knitting, yarn, sock yarn, indie dyed, hand dyed, space cadet, spacecadet

(But if you love it as much as I do and want me to dye any more, talk to me…)

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And here’s a few other things going in the shop this week:

Lucina fingering yarn (with sparkles!) in Megan’s Blues

yarn, knitting, hand dyed, indie dyer, sock yarn, spacecadet, space cadet

Lusterous Silk/BFL fingering yarn in Megan’s Blues

yarn, knitting, hand dyed, indie dyer, sock yarn, spacecadet, space cadet

And, to warm things up a bit…

Estelle (merino/cashmere/nylon) in Engine No9

yarn, knitting, hand dyed, indie dyer, sock yarn, spacecadet, space cadet

Some Surprise News from Sock Summit

Did you get to go to Sock Summit?  Because I didn’t and I was just soooooo jealous of everyone who did.  All weekend long (all weekend? no, for four days), it seemed like everyone I follow on Twitter was at Sock Summit… and having the time of their fibery lives…  and tweeting mercilessly about it.  Mercilessly, I tell you!  Oh, how I wanted to be there.

…And then, I found out, I kinda was.

knitting, yarn, hand-dyed, hand-spun, indie dyer, sock summit, TAAT Designs
At The Summit, by © TAAT Designs, Used with Permission

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Well, not me, but my colours.  And not just there, but actually there as part of the winning submission in the Design for Glory competition!  Ok, a tiny part, but a part…  About a week before Sock Summit, my friend Abigail emailed with the news that she and her knitting partners at TAAT Designs had submitted the winning entry, a sock called At The Summit.  The design requirement was for a sock that could be knit modularly — in pieces and then assembled at the last minute — by a team in the Fleece to Foot Challenge.

knitting, socks, sock summit, TAAT designs, indie dyer, hand-dyed, hand spun, Design for Glory
At The Summit, by © TAAT Designs, Used with Permission

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And, for their entry, TAAT Designs chose yarn hand-spun from SpaceCadet Creations fiber!  When Abigail gave me the news, I sqeeeeeeeeeed so loudly, I think I scared the neighbours!  I remember when she bought that fiber and…  well, just to think that braid of wool had risen to such heights in the sock stratophere, it kinda blew my mind!

And while At The Summit is a beautiful design and the good ladies at TAAT  — Tesia Walker, Allison Janocha, Abigail Horsfall and Trisha Paetsch — are clearly a very talented bunch of knitters…  I have to admit, I like to think it was the gently undulating shades of SeaFoam that really made the difference in the end.

spinning, fiber, knitting, TAAT Designs, sock summit, hand-dyed, indie-dyer
The Braid of BFL Fiber in SeaFoam

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The pattern for At The Summit is now available on Ravelry, or you can buy it directly by clicking here.  TAAT Designs is donating proceeds the Crohn’s and Colitis Foundation of America, in honour of Tesia’s husband Ryan.

Congratulations to Abigail, Tesia, Trisha, and Allison on their beautiful design.  Thanks for choosing SpaceCadet colours!  And congratulations also to Meridith Todd, who spun such a fantastic yarn.

And congratulations to that braid of SeaFoam fiber.  Every single time I pack up an order and send it out, I wonder what that yarn or fiber will become.  Never did I think anything I’ve dyed would become something so… Glory-ous!

knitting, spinning, hand-spun, TAAT designs, sock summit, hand-dyed, indie-dyer
The Braid of SeaFoam

Designer Profile: Sharon Silverman

One of the things I enjoy most about my job is working with other fiber artists.  It is somehow so satisfying to collaborate with people whose work you really admire and who…  well, who really understand why I’m so crazy about all things fiber (Because, y’know… they’re crazy that way too!).   And I’m lucky enough to have quite a few of those collaborations going on at the moment.  SpaceCadet yarns have been chosen recently for four designs in two upcoming books, as well as for designs by a couple of independent designers, and was used in an award-winning sock (more about that soon).  Exciting times!

When Sharon Silverman asked me if she could use my yarns for not just one but two designs for her upcoming book,  I practically ran to dyepots to mix up the dyes for two new colourways just for her.  She is a crochet designer, teacher, and the author of four books: Basic Crocheting: All the Skills and Tools You Need to Get Started, Beyond Basic Crocheting, Tunisian Crochet: The Look of Knitting with the Ease of Crocheting, and Crochet Pillows with Tunisian & Traditional Techniques.  And the creator of the Moonmist Shawl, which Sharon designed with my Luna Laceweight in Evening Fog.

Moonmist Shawl by Sharon Silverman, crochet, space cadet, spacecadet, yarn
© Sharon Silverman, Used with Permission

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As a really accomplished and inspiring fiber artist, I wanted to find out more about her and her work as a designer…

At what point, in your own mind, did you switch from being a crocheter  to a crochet designer?  What defined that change for you?

For my first crochet title, Basic Crocheting, I was not confident enough to design all of the patterns myself. I purchased a few from established designers. The sweater pattern was disappointing: it was all single crochet, which made it very stiff and impossible to pull over your head, and it was definitely not “basic” like I had requested. I took a deep breath and told myself it was time to design a sweater. I picked a chevron pattern and did it! Because it was the first time I had worked with multiple sizes, I actually made one sweater in each size to make sure the instructions would work! That sweater was the first time I really felt like a designer.

Do the design ideas flow easily for you, or do you ever find yourself stuck? When you are stuck, what do you do to find inspiration again?

With the wonderful yarns available today in every material and colourway, and with the addition of Tunisian crochet to my stitch bag of tricks, I rarely feel stuck for a design. I keep a binder of “Design Ideas.” Anything that catches my fancy goes in there, from architectural elements to interesting color combinations to nature photos. Often I’ll browse through that with some yarn and stitch dictionaries in front of me. Swatching is a great way to get inspired.

Moonmist Shawl by Sharon Silverman, crochet, space cadet, spacecadet, yarn
© Sharon Silverman, Used with Permission

What was the inspiration for the Moonmist shawl?

I love lightweight shawls, and the Luna laceweight yarn seemed perfect for an openwork pattern. I like the addition of some post stitches for added texture. To make the shawl symmetrical, I started in the middle of the back and worked left and right.

As your own crochet skills grow, do you find it harder or easier to design simple projects for new crocheters?

I think one thing that crocheters appreciate is the clarity and kindness with which I write patterns, whether for beginners or experienced crafters. I always try to give an overview, kind of like a road map: here’s where we’re starting, this is the route we will take, and here’s where we will end up. Otherwise it’s like driving blind. I have been crocheting for more than 40 years, and I still come up against poorly written patterns that I cannot figure out. It’s frustrating, and there’s no reason for it except laziness and arrogance on the part of the designer, editor, and publisher.
Along with clear instructions, technique photos are crucial. I want crocheters to feel like I am looking over their shoulder ready to answer any questions they have. “Does the hook go here or here?” “Do I skip this shell or work into it?”  Photos can help them understand what the pattern requires.
I always enjoy creating simple yet interesting patterns for new crocheters.

For anyone wanting to try crochet for the first time, what resources would you recommend?  Where should they start?

For anyone just starting out, there is no substitute for sitting down for an hour or two with a friend or instructor. That way you can make sure you are holding the yarn properly, making your stitches right, counting correctly, etc. Crocheters are often surprised to realize how important the non-hook hand is in managing the flow of yarn from the ball to the project. Your local yarn shop or a crochet conference may be your entree into the wonderful world of crocheting.
Ravelry is a wonderful resource, an online community for yarn folks without the intrusiveness of Facebook! YouTube also has many good videos. There are some great designers out there. Read what other people have said about their designs–and how good their instructions are–and choose a book or pattern from your favorite.
I am a huge fan of Tunisian crochet. For anyone interested in giving that a try, I recommend my books (Tunisian Crochet: The Look of Knitting with the Ease of Crocheting and Crochet Pillows with Tunisian & Traditional Techniques). Both of those come with detailed instructions and photos to explain the basic stitches. My first book, Basic Crocheting, also has a lot of visuals and illustrations.

If you had the opportunity to tell the world the one thing they
really ought to know about crochet, what would it be?

Crochet does not have to be frumpy and boxy! Choose the right combination of yarn, hook, and designer, and you can create garments that are beautifully shaped, drape like a dream, and are high-fashion enough to grace any runway.

© Sharon Silverman, Used with Permission

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Now, I’m not allowed to tell you anything about Sharon’s upcoming book — it’s all top secret.  But I will tell you that it’s coming out for Autumn 2012 and it’s got some gorgeous designs in it… and two new beautiful new colourways from SpaceCadet Creations.  But in the meantime, do go check out her website, www.SharonSilverman.com, and especially her pattern page on Ravelry, where you can find the pattern for the Moonmist shawl, for the lovely Sonata shawl (above) — the first of Sharon’s designs that really caught my eye — and tons more.  She’s on Ravelry as CrochetSharon and on Facebook as Sharon Silverman Contemporary Crochet.

I Need Your Help Choosing a Yarn

One of the really fun things about TNNA was just wandering around and looking at all the lovely yarns.  I mean, really.   For someone who loves yarn, who really gets quite giddy around large quantities of it, TNNA was heady stuff!

And the yarns ran the gamut from rustic bulkies to really stunning silk laceweights complete with beads and sequins — everything a fiberista’s heart might desire.  And I really thought I’d be drawn to the finest, most delicate, most beautiful yarns… so when I realised that the one thing that kept jumping out at me was these smooshy, chunky, single-ply yarns, it totally took me by surprise.  But they were wonderful — they looked like clouds, they looked so sheepy… I just wanted stick my face into them and snorgle!

So smooshy!

And, they seemed to be everywhere.  Even though I was trying to look at fingering yarns, my eye kept spotting these chunky single-ply yarns everywhere.  So, I’m tempted to buy some for my autumn/winter dyeing.  And y’know, when I say “tempted”, I kinda really mean “aching”.  As in, I loved them so much, I am aching to get my hands on some and start dyeing!

yarn, knitting, crochet, indie dyer, hand-dyed
Man, I love this yarn...

But there’s a distinct possibility that instead of spotting the emergence of a fabulous new yarn trend, I might be just falling head-over-heels for my own personal preference.  And that you, my fingering-and-laceweight-buying customers, might be reading all this and just going, “Whaaat…???”

knitting, yarn, crochet, indie dyer, hand-dyed
(that's a nickel, by the way, not a dime -- I couldn't find a dime...)

So, tell me, what do you think?  Do these pictures get your heart racing, and your fingers itching to cast on?  Do you want to grab that skein and just smoosh it?  Or does it leave you saying, “Meh…” and happily turning back to the much more delicate yarn of your current project?  Please tell me — leave a comment below, I’d really love to know your thoughts!

Win Cool Origami Stitchmarkers! And a Shop Update.

In a moment, I’m going to tell you about a delightful little giveaway, but first let me show you some yarns I’ve put in the shop this week.  I’m really excited about them because, before I held them in my hands together, I hadn’t realised what perfect compliments they are.  But they are!  They are absolutely perfect together.  The variegated yarn makes a wonderful accent against either the purple or the pink yarn and I am sorely tempted to keep them all for myself… But I’ve put them in the shop instead, and I think I shall have to go into the studio and see if I can recreate them instead.

yarn, knitting, hand-dyed, indie dyer, crochet, spacecadet, space cadet
Left to right: Estelle fingering weight yarn in Truth, Faithful, and Throb

The Sexy Knitter Origami Stitchmarkers Giveaway

I was so excited about the fabulous stitchmarkers that Sarah at The Sexy Knitter made for the members of the InterStellar Yarn Alliance (that’s them, there on the left) that I wanted to give everyone else a chance to nab some of her origami stitchmarkers too.  (Seriously, origami! Like you did in school — how cool is that?!?)

And Sarah immediately offered a set for me to giveaway to one lucky winner!  Squeeee!

knitting, crochet, space cadet, spacecadet, stitchmarkers, the Sexy Knitter, Sarah Wilson

So, here’s what you have to do to enter:

  • First, make sure you are a subscriber to my blog.  All you have to do is click on the Subscription button there in the right-hand column.
  • Then, just help spread the word about this contest by retweeting this tweet (if your twitter name doesn’t relate to the name you’ve subscribed under, please leave me a comment here helping me tie the two together)

And that’s it — you’re entered!

  • And if you want an extra entry, just mention this contest anywhere on the web (on Facebook, on a forum, in a blog post) and leave me a comment here with a link that allows me to confirm the mention.

The giveaway will end on Sun 31 July, and I’ll announce the winner in the next blog post after that.  Good luck everyone!

Everybody loves smallprint: Sweepstakes opens when this blog post is published and closes on Sun July 31 2011 at 11.59pm EDT and all entries must be made before the close. All entrants will be verified, and must be a subscriber to the blog and then retweet the specified tweet in order for entry to be valid.  The valid entry must be completed for any ‘extra’ entries can qualify and ‘extra’ entries must be mentioned in a comment on this blog post which includes a link to verify the entry.  Invalid entries will be disqualified. Winner will be announced on this blog after sweepstakes close and must respond within 72 hours or we reserve the right to choose another winner. No purchase necessary. Only one entry per person. Odds of winning are dependant on the number of entrants. Retail value of prize is $5.00.   SpaceCadet Creations reserves the right to substitute prizes. Prize cannot be redeemed for cash.  Sweepstakes open only to entrants aged 18 years or older and resident in the United States or Canada.  A-a-and breathe out…