sock yarn

Rain and Reds, a Shop Update, and a Treasury

By Stephanie

It’s raining today — a nice, warm, gentle summer rain, but rain nonetheless.  And I know I promised you sunshine for this week, but the reason it’s raining today is because the lovely yellows I dyed over the weekend are still drying and if they are wet, then there is no sunshine to be had and the world must be wet too.

But even if your day is rainy like mine and there’s no yellow to brighten it up, let me offer you instead something as deliciously dark and moody as the clouds above.

First, I was delighted to discover that myhideway included my Red Brick yarn in a treasury called Rosé Wine.  It’s so inspiring to see all those beautiful rosy reds together.

So inspiring, in fact, that I went and filled the shop with warm colours from pink to burgundies.  Have a look…

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Fingering Weight Yarn, Superwash Merino and Nylon, in Pink Autumn

If autumn leaves turned pink instead of red, it would be this pink. If they shunned the sophisticated golds and the russets, all the subtle shades of brown, and chose instead to wear a girly hue — something wild and unpredictable — it would be this. An explosion of pink tinged with the warmth of the season, this is the colour that autumn leaves secretly wish for. This skein is over 100g of Stella, a beautiful and distinctive 2-ply fingering weight yarn in 80% Superwash Merino and 20% Nylon.

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And four yarns in Desert Wine: one in Stella Fingering weight, one in Celeste Fingering weight, and two in Astrid DK weight.

This is a bottle of burgundy wine, rich and deep and smooth, poured out on the brown of the parched desert earth, there amongst the green cacti, where the merciless sun dries it to dark, dusty stain. A waste of good wine, but worth it just to see the amazing colour.

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And a lovely new colourway, DK Weight Yarn in Superwash Merino, in Sleep Deep, that I simply cannot get my camera to capture accurately.  It looks all blue-red in the pictures, but as I hold it here in my hands, it’s swirls of deep red and purple.

Here are the colours of dreams, at the moment when you slip from the dark of the room into unconciousness, surrendering to the safety of bed and the soft of pillow behind your head. These are the colours of a mind freed to wander, a psyche unencumbered, your true nature as you let yourself submerge into the deep deep of sleep. This skein is over 100g of Superwash Merino in Astrid, a beautifully smooshy 4-ply, DK (double knitting) weight yarn. There are two skeins available, sold separately.

And watch the shop for those sunshine yellows too!  As soon as they appear, the weather is sure to change for the better.

Sunshine Today, More Forecast For Next Week

By Stephanie

When I discover my yarns featured in an Etsy Treasury, I get such a rush of excitement, I can’t tell you.  And so it was yesterday when I found Sunflowers had been picked for a treasury called “My Sunshine“, put together by ThePlumTree.

Sunflowers sold pretty quickly after that, and I am so excited to send it off to its new home.  But if you loved all these golden colours, don’t worry — I’m going to be dyeing a lot more beautiful yellows over the weekend.

The forecast for next week?   Bright Sunshine!

New Yarns in the Shop

By Stephanie

I’m really excited to show you some of the new colourways I’ve put in the shop this week!   I have to say, I just cannot get my camera to really capture them, but I hope you get a good idea here.

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Dragonfly

Dragonfly flitters by, catches the light and throws back iridescence — greens, lilacs, pinks that shimmer in the sun for only a moment… and then are gone. This skein is over 100g of Superwash Merino in Celeste, a wonderfully soft 3-ply fingering weight yarn.

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Mountain Mist

These are ancient mountains, gentle and rounded, that seem to go on forever, ridge upon ridge disappearing into the distance as the night falls and the mist rolls in — deep blue fading into soft purples that stretch as far as the eye can see. This skein is over 100g of Superwash Merino in Celeste, a wonderfully soft 3-ply fingering weight yarn

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Sunflowers

Happy yellow that welcomes the sunlight, stretching skyward, petals open to catch the rays. Yellow petals, deep brown seedheads — happy sunflowers basking in the mid-day sun. This skein is over 100g of Superwash Merino in Celeste, a wonderfully soft 3-ply fingering weight yarn, which has been dyed using a technique to create random, short bursts of contrasting colour.

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Midnight Swim

Dark waters, dark night. Soft waters, cool and still, flashing deep blue, purples, greens. Water dark as bruise, quiet as the night, so cool on the skin… Irresistible. This skein is over 100g of Stella, a beautiful and distinctive 2-ply fingering weight yarn in 80% Superwash Merino and 20% Nylon.

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These skeins are over 100g of Superwash Merino in Celeste, a wonderfully soft 3-ply fingering weight yarn. There are two skeins available, sold in separate listings.

And there are more new colourways going into the shop later this week.  Keep your eyes open for them!

Maybe I’ll Become a Cook

By Stephanie

Sometimes it’s good to push yourself outside your comfort zone.  And if it works, it’s such a boost to the ego!  And when it doesn’t…  well…

Well, indeed.  Last week I pushed myself right out of my comfort zone and straight into yellow.  I don’t do yellow a great deal — it’s just never been a personal favourite of mine.  But yellow is a great colour — sunny and bright, and filled with warmth.  It was time to tackle yellow.

And, while I was pushing outside my comfort zone, I decided to shake things up even more by trying a new dyeing technique.  It was something I’d never tried before — indeed, I’d never even seen it done before — and I got excited about it as soon as I thought of it.  The technique would create very short bursts of colour — just one, two, maybe three knit stiches long — and unusual blends of shades.  I couldn’t wait to try it.

And so I took a deep breath and mixed up my yellows…  and in went the yarn.

And what came out did not thrill me.  The yellows were beautiful, but The Technique had not worked the way I had expected at all.  The short bursts of colour were there, but were much more ragged at the edges than I had hoped, and the shading was simply too haphazard for my tastes.  I pursed my lips and shrugged…  Chalk it up to a learning experience and be done with it, I thought.

“I like them!  They’re interesting.  They’re… earthy!”  Turning these yarns over in her hands, my friend clearly saw something in them that I hadn’t spotted at first.  And she was right.  The shades are earthy, and the colour changes aren’t ragged as I first thought, they’re organic.  And the yarns, I suddenly realised, are beautiful.  Even if they weren’t what I was expecting and are completely outside my comfort zone.

So here they are!

The idea behind this one started as Chocolate Chip Cookie Dough, but when it finally dried, I realised it makes me think so much more of Sunflowers, of their lovely golden yellow petals and dark seed-centers, of the earth they sprout from and the sun that nourishes them…

And this one… this one…  I am trying to think of a good name for it, but time and again, all I see is Pasta in a Garlic Pesto.  Even though the colours are exact, no matter which way I turn it, no matter how I look at it, that’s the only thing that comes to mind.

You know, if this dyeing gig doesn’t work out, maybe I could become a cook…

Dyeing Disaster, Last Minute Save

By Stephanie

This yarn was a dyeing disaster.  I was aiming for Garden In Spring, one of my favourite colourways, and the colour just went all wrong on me.  I pulled it out of the dyepot and… Oh no! The pinks were crazy-bright, the greens were just plain ugly, and the purples totally non-existent.  I have a picture of it…  I can’t even show it to you, it was that awful.  It was embarrassing.

I set it aside and decided not to think about it for a few days.

When I finally went back to it and turned it over in my hands (cringing, cringing the whole time), I realised what I wanted to do with it.  I thought I knew the shade that would salvage it.  I mixed my colours and in went the yarn.  And a little while later, this is what I lifted out…

I had hoped to salvage it — instead, it has been saved.  It came out so much better than I could have hoped!

There’s one skein in Astrid DK and one in Celeste Fingering weight.  And now I just have to decide if they go in the shop or…  if I keep them for myself!!!  I may have to think about this for a spell.

Boy oh boy, it is soooo tempting…

Choosing the Right Knitting Pattern for Hand-dyed Yarns

By Stephanie

Note from the SpaceCadet:  My friend Abigail of TAAT Designs is a wonderful knitter and real connoisseur of hand-dyed yarns.  And I am delighted that she agreed to share how she chooses the right pattern for each unique yarn…

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By Abigail

In a recent post on my blog, I was reflecting on my relationship with yarn and I realized that it’s not just about the yarn, but also about the potential contained within it. When I see a skein of yarn, I see more than just the yarn itself. I see the twist of the yarn, the way the colors blend together and how the fiber appears. From here, however, it’s not always straightforward to picture what the yarn will look like when it is knit up, which makes it hard to choose a pattern. Especially with handpainted yarns, there’s always a bit of uncertainty. How long is each bit of color? Do the colors repeat in a systematic manner, or are they completely random? With experience, it becomes easier to predict these things without knitting a swatch, but even a prediction is still no guarantee of what the finished product will look like.

Most handpainted yarns do have a predictable repeat. This means that they will tend toward pooling or striping, depending on the length of each stretch of color. The best way I have found to determine this is to unwind a length of the yarn – two yards is usually enough. If the entire length is all one color, then the yarn will stripe in many usages (socks, children’s sweaters, hats, mittens – anything that is less than about 2 feet in circumference or width). If the length is multiple colors, then you can try to predict whether it will stripe or not by estimating how many stitches you can get out of each color section (a good rule of thumb is that it takes 3x as much yarn as the length of fabric you are knitting across).

Once you know roughly whether the yarn will stripe or not, it becomes easier to choose a pattern. My preference is for yarns that do not stripe, or have minimal striping – I like a new color in every row of my knitting. I’m also a big fan of knitting socks with handpainted yarns, so that’s usually where my mind first goes.

When I received my skein of SpaceCadet Creations’ Cold Waters earlier this year, I wasn’t sure at first what it wanted to be. The colors were so subtle and yet striking all at once, and I wanted to choose a pattern that would really show off the colors. From looking at the yarn, I was able to predict that it would stripe slightly, but not be too overpowering. There was also not much chance of pooling (which I do my best to avoid). This told me that I didn’t need to choose a pattern that would actively reduce pooling, but I didn’t want to choose a pattern that was too busy, either, so that I didn’t overpower the yarn. Because Cold Waters uses tonal shading rather than lots of different colors, however, I knew the pattern could have a little something going on.

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The stockinette portion of the sock clearly shows the beautiful, subtle, not-quite-single-row striping of Cold Waters.

Around the time I received my Cold Waters, I also received a gorgeous pattern from Yarnissima (through a monthly sock yarn club I belong to), The Portland Gussets. I had been looking for the perfect yarn for this pattern, and Cold Waters seemed like it would fit. It had everything I was looking for: medium-length color repeats (too short, and the pattern would be lost in the yarn), not too much color variation (any more, and the yarn would obscure the pattern), but enough visual interest (not enough, and the pattern would be boring).

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I quickly cast on, and the socks just flew off my needles. The pattern and yarn were a great fit!

When you’re knitting hand-dyed yarns, each skein is a unique adventure.  With a little practice, it becomes easy to match a yarn to pattern.  If you take the time to examine the yarn and read its color repeat, the yarn will help you decide which pattern to choose for it.

TAAT Designs is a newly formed design group created by four friends — Trisha, Allison, Abigail and Tesia —  to combine their love of knitting with their desire to create unique and fun patterns for knitted objects of all types.  Read more about their adventures on the TAAT Designs blog.