Shop Update: Nobody Likes Green… or Blue?

You know…  I may be asking for trouble, because nobody likes green, and I’ve dyed four new greens and gone and stuck them in the shop…

Clockwise from top left: Celeste fingering weight yarn in Bluegrass,

Mermaid’s Tail, Steel Leaf, and Nobody Likes Green

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Wait…!  You’re confused?  Nobody likes green? Well, that comes from a story that a friend of mine tells, of a time when she popped into her local yarn shop to buy some green yarn to knit a gift for a friend.  But she couldn’t find any green yarn — not any — so she asked where it was.  And the reply came without a moment’s pause,  “We don’t sell green because nobody likes green.

Every time I dye green, I feel like such a rebel.  Or… wait!  Does dyeing green make me a nobody?  It’s so confusing!

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And, just in case it’s true and, really, nobody likes green, I dyed some blues too.  Because everybody loves blue…  don’t they?

Clockwise from top left: Celeste fingering weight yarn in Faded,

Gloomy Sky, Blue Horse, and Sing the Blues


Dyeing for a New Design

Do you remember the fabulous crochet patterns I featured last month?  Do you remember this shawl by Sharon Silverman?

© Sharon Silverman, Used with Permission

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Sharon is the author of Tunisian Crochet: The Look of Knitting with the Ease of Crocheting and the creator of some really beautiful patterns.  She and I got talking, and it turns out she admired my yarns as much as I admired her designs.  And I was so flattered when she asked if I would create a colourway for her to use in a new design!

(I think this is the thing that I like most about the fiber arts community: the way that people work together — and really want to work together — to create beautiful things.  Fiber people are great people.)

I began to think about colours — I wanted to give her something really special to work with.  In my mind, I was seeing something lovely to drape around the shoulders, over a beautiful evening dress…  something as soft as mist…

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Sharon sent me a sneak peak at the design this week, and it’s as light and as gorgeous as the yarn it’s made for.  I can’t share the design with you yet, but I can give you a quick glimpse of the yarn.

This is Evening Fog, a delicate mix of soft greys and the lightest misty blue, in Luna Laceweight 80% merino/20% silk yarn.  And, if you like it, it will be in the shop in time for the pattern’s release.

“Just Be Creative!”

Custom orders can be exciting… and daunting.  Dyeing can be an unpredictable process — the slightest change in acidity, temperature, or concentration can create really noticeable colour changes from one dyelot to another.  And it’s just the way life works that those unpredictable changes will always occur on that special order where the customer has a really specific result in mind!

So when a customer contacted me the other week and asked me to dye three custom orders for a birthday celebration for three knitting friends, I had a slight moment of trepidation.   But when I asked her what she had in mind, she put back at my ease: “Just be creative!” she replied.  That I can do!

The birthday girls’ favourite colours are red, purple, and green, and I spent all week letting my imagination run wild on that theme.  I wanted to do a few different colourways of each, and then her choose whatever yarns she liked best.

It wasn’t an easy choice.  Here’s what she picked…

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Kristen’s HeartBeat


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Jill’s Storm

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Natalie’s Steel Leaf


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I was having so much fun dyeing and just letting my creativity run free that I rather let it run away with me, and I now have quite a stash of exciting new yarns to put in the shop.  Look for them to start appearing Monday or Tuesday of next week!

Scenes from a Fiber Life: the Art and Science of Hand-Dyeing

Years ago, when I was a corporate buyer, I remember my boss explaining that buying was both an art and a science.  I didn’t really understand what he meant at the time — surely it was just a matter of knowing how much should be in stock and plugging in the numbers, wasn’t it?  It was simple.  What was he on about “art”?

I didn’t really get it until I’d been in the job for some time, and I found myself explaining some of the basics to our intern.  She was plugging in the numbers — just plugging in the numbers — and coming to conclusions that I knew would spend our money in all the wrong places.   And as I explained that there was more to it than just the number, that was the moment that I realised what my boss meant by “art”.  Over time, I’d been quietly and unconsciously learning to follow to my instincts as well as the numbers, learning to apply both art and science.  And when I watched that intern making those simple, novice mistakes, I began to understand the value of staying tuned into both.

Today I tried to duplicate Westerly, the beautifully shaded colourway from the Tradewinds quartet that I showed you last week.  And there I was, duplicating the recipe exactly when…  I just suddenly didn’t trust it.  My instinct told me the colours weren’t right.  My instinct told me to add a bit of this, mix in a little more of that…

My instict wasn’t right.  This is what came out of the dyepot…

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It’s beautiful for sure, but it’s not Westerly.  And though I think I’m going to love it when it’s dried and reskeined…  there’s no denying that it’s not Westerly.

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Which just serves to remind me that, even though dyeing is undoubtedly an art as much as a science, and even though a dyer’s colour sense is borne of instinct, it’s important to remember and never to forget the first rule of the second dyelot: even when you want to follow your instinct…

FOLLOW THE RECIPE!

A Cowl in Colours to Inspire!

“I’m inspired!” Heather said after reading Pattern Roll-Call: Something Gorgeous Around Your Shoulders, and she ordered a skein of Celeste in Red Brick.  Last week, she showed me what she made with it.  It’s a gorgeous, lacy cowl — I don’t think she could have picked a nicer pattern.   And I thought you might like to see too…

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The pattern is Eclipse by Jacquelyn Ridzy — so simple and really lovely.

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It always amazes me how the colours in yarns totally transform when it’s knitted up.  Look at the way the red flows into the purple!  And those little flecks of gold really pop.

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And it’s got this sweet little garter-stitch border.  I love it!

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I can’t tell you how much I love it when people share their projects with me.  Thanks, Heather — your cowl is gorgeous!

The Most Important Piece of Equipment for Dyeing

When I tell people that I dye yarn, I get a variety of responses — from surprised to confused to intrigued.  Occasionally, I find the person I’m talking to is a knitter, and that’s always a nice surprise for both of us.  I love it when that happens.

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Sometimes the person asks if I can teach them to dye, or if they can come and watch the process.  And I always struggle with that, because I’m not sure what I’d show them.  The mechanics of dyeing are no secret — they’re well documented in books and websites — and it’s easy to learn how to do it.

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But the Process happens in my head — it’s when I think of the colours and the combinations I want to create, and I work backward to figure out how to mix the dyes to get exactly what I’m visualising.  The Process is me experimenting with colours, making mistakes, learning from them, saving them at the last minute, and learning some more.  And I honestly don’t know how I could show that to anyone without them actually getting inside my head.

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But there is something I can show you.  It’s the most important part of dyeing.

It took me a while to figure it out, but it’s the one piece of equipment you really cannot be without.

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It’s not the wool.  It’s not the dyes.  It’s not the dyepots, nor a special magical stirrer that makes the colours come out just right…

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The most important piece of equipment a dyer possesses is…

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…her Sharpie pen, so she can write NO FOOD on every piece of dyeing equipment.

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Because poisoning your family by accidentally serving dinner out of the bowl you’ve been dyeing in really takes the shine off of achieving even the perfect colour!