I had planned to knit them in time for Christmas morning, but as December wore on, the whole month got crazier and crazier and seemed to be flying by at an alarming pace. One day I looked up at the calendar and realised I had only one week left before Christmas, a bazillion things left to do… and the wonderful little slippers weren’t even cast on yet.
Is Christmas about gifts or about friends?
My friend Natalie was ridiculously organised and had already finished all her Christmas knitting well before crunchtime. “Would you like me to knit them for you?, she asked. “So they’re ready for Christmas Day?” I was floored! How could I possibly say yes? They were supposed to be gift from me! But looking at the calendar… oh, how could I not? Without Natalie’s help, there’d be no Christmas ballet slippers at all. I said yes.
Natalie knit like a fiend, and got all four slippers done in a week. …In that last manic week before Christmas. They were wrapped and under the tree for Christmas Eve. They were opened on Christmas morning. They were beautiful! …And loved. And danced in. And danced in… and danced in…
The most perfect Christmas gift!
Knit in Celeste yarn in Funky Ballet Shoes
With deep thanks to Natalie for knitting the slippers. And genuine thanks for Kate Atherley for the pattern and her incredibly kind offer to resize it for tiny feet.
And my deep apologies to both for not blogging about it until now. That crazy December pace? Yeah, it’s March and yet the pace still hasn’t let up!
It’s been an incredible weekend — exhilarating, exciting, educational, an absolute whirlwind, and a lot of hard work. SpaceCadet Creations was at the Pittsburgh Knit & Crochet Festival, and we had the time of our lives! And now, as I get the chance to sit down for the first time in days, I realise just how many lessons there were from doing our first show.
Here’s what I learned:
How fantastic is it to finally get to meet my customers in person. Seriously, it is the best! These are people I see tweeting, people who leave comments on the blog and on Facebook, but there is nothing like meeting you guys in person, discussing your knitting, seeing your projects, and just being able to put faces to names. Meeting you all was fantastic fun!
How wonderful it is to talk to customers about my yarns and get that feedback. I mean, I do all this in isolation. Day to day, I work in my studio mostly on my own, with pots simmering quietly and yarns soaking… And when I pull them out, well, sometimes I think a yarn looks great and sometimes I’m not so sure. And it was just such an incredible experience to see customers making a beeline for the colourways that were calling out to them, and to hear their comments and get their feedback. Nothing beats that.
That every person has their own unique colour style, their own sense of what works for them… and you absolutely cannot judge a knitter or a crocheter by her cover. We had people come up who looked like they might choose calm, quiet colourways but who instead went straight for the brightest, craziest colours. And others whom I thought would go for the same wild yarns but who instead reached straight for the peace and serenity of the semi-solids. The truth is, crafters are unique and interesting people, and you can’t box them into categories!
That many hands make light work, and work doesn’t feel like work when it’s split out amongst friends. …With HUGE thanks to the Wednesday night knitters for bagging and tagging, knitting samples, brainstorming, and coming up with some great ideas that made the show a lot better for us.
That there is simply no way to show how beautiful, how smooshy, how fibery-lucious a yarn is over the internet. Great photography is all well and good, but absolutely nothing beats getting to snorgle that yarn in person!
That when you get a look behind the scenes, you realise that the Pittsburgh Knit & Crochet Festival is a HUGE undertaking with a bazillion variables that really could all go disastrously wrong, but somehow Barb and her team keep everything under control and pull the whole thing off seamlessly. And they smile the whole time! I don’t know how they do it.
That you can’t actually go all day without eating.
Also, you can’t actually go without sleeping either. The body will revolt and shut you down. And that little factoid put a serious dent in my festival-prep schedule.
What fun it is to meet and finally get to chat with other fiberisti in person (Hello KnitPurlGurl! Hello StevenBe!)
StevenBe
That StevenBe’s mother and her friend are lovely, lovely women and so interesting that I could have sat and talked to them all day. Hallo Christa! Hallo Barbara!
That I go a bit giddy when I get asked if I’d like to be a guest dyer for a LYS’s yarn club. YesIwouldYesIwouldYesIwould!!!!
What an incredible rush it is to asked by LYSs whether I wholesale yarn …and how that plants interesting little seeds in my head.
That having friends there to show you the ropes, give you tips and ideas, loan you display furniture, and make change when you run out of small bills… that kind of professional camaraderie makes all the difference! (With big thanks to Amy, Bloomin Yarns, CosyKnits, Wren&Rita, and GwenErin)
How nice it is to be able to bring yarns out of the shop, give them a fresh airing, sell them at the festival, and then have brand new yarns to offer to all my custermers who couldn’t get to this festival. Look for new yarns to start appearing in the shop in the coming days and weeks!
All dyed in three weeks!
That you can increase your dyeing by 10 times your normal rate and fill a festival booth with stock in only three weeks, but everything else in your life will come to a complete halt. I really have to get some laundry done before I run out of clothes and some bills paid before they shut off the utilities!
That none of this is possible without the support of a great team. And I had a great team (With more thanks than I can express to my husband, to Natalie, to meine kleine schwester, and to my mum …and to my dad, who apparently hasn’t eaten in weeks because my mum has been here the whole time!).
And, finally, that I love love LOVE doing festivals!!!!!
There’s snow on the ground and ice on the way, and the wind is bitter and cruel. I think no month can be called Deep Winter more than February, and it takes all our woolly armory to stave off the cold.
So when I saw the Sweetly Worn trio by Natalie Selles, I knew I had to show it to you. I mean, it caught my eye first because of the way it will show off a hand-dyed variegated yarn so beautifully by alternating it against contrasting solid yarn. And I love that the stripes travel across the fabric to form intriguing shapes and angles.
But today,on this cold, grey, snow-locked February day, I think I just really love the fact that this is a complete set — hat, shawl, and mitts — that will go a long way toward keeping this bone-chilling winter at bay.
I think this pattern would look wonderful with a deep, wintery colourway such as this Celeste in Stewed Cranberries (which went into the shop today) or Estelle in Spice Trade:
Celeste in Stewed Cranberries, Estelle in Spice Trade
.
Or, if you are looking out at the snow and find yourself in need of a boost of bright summery colour, perhaps you could try these zesty yellows and greens that I’ve just put into the Dept of Rocket Science:
Estelle and Stella in Dept of Rocket Science 110120-010
A few years ago, I took a class with Brandon Mably that completely changed the way I thought about colour. It was an intense 2-day course which challenged us to think about how we see and use colour from the minute we arrived in the morning, until we left at the end of the day. Brandon had us doing a lot of crazy things to shake up our brains, from throwing all our balls of yarn into the center of the floor and mixing them all up, to free-knitting swatches that contained 10… 15… 20 different colours. It was a great weekend (and if you ever get a chance to take Brandon’s Design in Colour class, I highly recommend it).
And there’s one technique that he taught that has translated particularly well from knitting to dyeing. He suggested that we use artwork that we love — paintings that really spoke to us — and use the colours as inspiration. If those colours work in the painting, then they would work in our knitting too. He walked around the room and let us choose from a stack of fine-art postcards and greeting cards, whichever painting called out to each of us the most.
.
The thing about using this technique is that you suddenly realise how many colours you don’t see, even as they are right in front of your eyes. When you first look at a painting, you may see what you think of as a “yellow painting”…
.
But when you take the time to really immerse yourself into the colour, you suddenly see so much more — little spots of red that jump out at you, the grays that fade into the background, subtle greens that you didn’t even notice. They all work together — these colours that you never would have thought of putting side-by-side — and they create a depth and complexity that pulls you back again and again.
Just realising that really began to set us free in that class, and we dove into the pile of yarn in the middle of the floor. Using our cards as a guide, everyone’s knitting exploded into wild colour — combinations of shades far more daring than we would have tried before.
.
And then Brandon showed us a something else that I hadn’t noticed: different areas of the the same painting contain their own micro-colourways, and give off completely different moods from what you felt when you first saw the painting. So if you take a painting that you think of as mostly sunny and yellow, and cover part of it up, you might find an area that’s completely different… that’s moody and blue…
And when you switch your hands around again, the whole mood changes back to the sunny and yellow you saw before. Or maybe to a different section, and a different colourway and mood. Here are little colourways that you can pull out for inspiration in your knitting, and that I use in my dyeing — a whole world of colourways in one painting, just waiting to inspire you, if you stop and look closely enough! And once you start seeing them, you really can’t wait to start using them yourself… to start knitting as though you’re painting.
.
(When I lived in the UK, fine art cards like this one from Woodmansterne were available in any card shop for just a couple of pounds. But here in the US, I don’t regularly see cards like this — the shelves seem to filled with the standard assortment of greetings cards with nice-but-not-overly-interesting artwork. I’d love to find a good supplier of art cards like this one to inspire me… Can anyone suggest where I might find something similar here in America?)
The Moonmist Shawl pattern is worked out from the center back in one direction and then the other, to create a delicate piece of lacework so light that it fairly floats across the shoulders.
When she first described to me the design she had in mind, I saw it draped delicately over a beautiful evening gown. I imagined holiday parties, sparkling lights, glasses of champagne… I wanted to create a colourway as ethereal as the Moonmist Shawl itself…
As day slips away and the light grows soft, the Evening Fog rises up out of nowhere and gently transforms the world with a veil of translucent blue-grey.
This is over 100g of wonderfully smooshy Luna Lace Weight yarn, a 2-ply blend of Silk and superfine Merino wool that is amazingly light and soft to the touch. Where there are multiple skeins pictured, each is sold separately.
Fiber Content: 20% Silk, 80% Merino Wool
Weight: Approximately 3.6oz / 100g (approximately 1300 yards per 100g)
Colourway: Evening Fog
Care Instructions for the final item: Hand wash in tepid water, Lay flat to dry.
Each item is individually hand-dyed by the SpaceCadet, using professional grade acid dyes which are mixed by hand from primaries. Please be sure to buy enough for your project as the colours may not be able to be reproduced exactly.
SpaceCadet Creations is a smoke-free, pet-free environment.
Please remember that the colours in pictures may vary depending on your computer monitor. The colours in the photos are as accurate as possible.
I know two little girls who are mad-crazy-keen about ballet. They begin dancing the moment they wake up, and they dance all through their day, and they don’t stop dancing until they go to bed. Actually, they probably don’t stop dancing until they fall asleep — I am quite certain they lie in the dark and practice their tondues under the bedsheets until sleep finally steals them away.
.
And they would wear their ballet shoes every single day if they could. But they’re not allowed, because the ballet shoes get lost — absent-mindedly set down on the wrong shelf or accidentally kicked under the sofa or sinking slowly to the bottom of the toybox — and are nowhere to be found on ballet day. And so those most-beloved shoes get secreted safely away after each class and the disappointed girls must instead practice their dancing in their socks. It’s not at all ballerina-like!
.
I’m always on the lookout to bring you great patterns that would make the most of single skeins of SpaceCadet yarn, and when I came across the Open House Socks by Kate Atherley, technical editor of Knitty and knitting editor of A Needle Pulling Thread, I fell in love them! They’re sweet, romantic, and cheeky all at once — and, as a bonus, each pair takes only about half a skein of yarn. They’d make a great quick-knit holiday gift — perfect for padding around the house on cold winter days. I looked at them and thought, they make me want to… dance!
Wait… Make me want to dance?!? I thought immediately about those two little dancers… I could knit them ballet shoes! I could knit them lovely ballet shoes so they could dance all week whilst their real ballet shoes were safely tucked away. There could be no better Christmas present for them on Earth!
In the dyeing studio, I sat and thought for a while about the perfect colour. I could do them in the standard ballet-shoe pink-beige but… well, while these two are budding ballerinas, they are also little girls who love all the stuff that little girls everywhere love: sparkly and bright and fancy and pink. Plain ballet shoes would never do — if they were going to have custom knit ballet slippers, then they would have them in a pink to thrill their hearts. And I began mixing the dyes…
.
I emailed Kate and told her my plan, and she wrote straight back and very kindly offered to help me adjust the pattern to suit these much smaller feet. What a lovely thing to do!
So once I’ve done my gauge swatch and worked out some calculations, I will cast on with this wonderful, crazy pink. And then I can’t wait to share with you my new works in progress!
.
